Skip to main content

The Zebra

The Zebra – Fun Fair Carousel Photography 

Smiling black-and-white carousel zebra with upright ears and a large grin, set against palm-like poles and green trees at a fun fair.

The Zebra – A Carousel Moment of Joy

As an artist, one of the most common questions I’m asked is whether I use photographs as source material for my paintings and drawings. The answer is a definite yes. Sometimes I take pictures while drawing a subject — capturing angles, lighting, and details that I might not have time to record in my sketchbook. Other times, I take photographs purely for their own sake, simply because something catches my eye and sparks my imagination.


Over the next few weeks, I’m going to share some of these photographs with you — images that have inspired me in my creative work or made me smile. The first in this series is a photograph I call The Zebra.


I spotted this zebra at a fun fair, proudly positioned on a carousel among other colourful creatures. There’s something irresistibly joyful about its expression — the broad grin, the upright ears, the confident tilt of the head. Its bold black-and-white stripes seem almost to shimmer against the background of golden poles and lush green trees.


Carousels have always fascinated me. They’re a mixture of artistry, engineering, and nostalgia. The animals are often carved or moulded with remarkable attention to detail — manes swept into motion, muscles defined as if mid-stride, eyes full of character. This zebra, however, felt different. It wasn’t just a decorative object; it was a personality.


I remember standing there, camera in hand, trying to capture the moment in a way that would preserve its charm. The fun fair was busy, full of movement and laughter, but for a few seconds, my attention was entirely on this zebra. The result is a photograph that still makes me smile every time I look at it.


From an artist’s perspective, photographing a subject like this can be just as rewarding as sketching it. The camera freezes a moment, catching subtle textures and expressions that might otherwise be lost. Later, I can use the image as a reference for a painting, or keep it as part of my growing visual library of inspiration.


But beyond its usefulness in the studio, this image reminds me of why I create art in the first place — to share moments of beauty, humour, and wonder. A simple carousel ride, designed to delight children and adults alike, can become a work of art when viewed closely.


So here’s to unexpected inspiration, to moments that make you pause, and to zebras — whether real or carved — that bring a little extra joy into our lives.


Comments

The Most Liked Posts

Lady with the Fish.

 Inspired by an artwork at the Municipal Art Gallery in Brighton, my original drawing is a unique interpretation of William Scott's 'Girl and the Birdcage' from Feb 1948.  It captures the essence of the period with its soft pastel colours and a sense of stillness. I like the drawing I made. I played around with a few versions until I came up with the idea of a digital Lino-cut print.  This print is digitally printed onto Hahnemühle German Etching paper and a limited edition of 25 per size 300mm x 300mm and 500mm x 500mm.

Three Faces

 Three Face T-shirt print   The three-faced design is a great option to start your collection of unique artist-designed t-shirts. This design comes from a sketch created in the Louvre, Paris. I didn't note down the artist's name at the time, but any Expressionist artist will work.

Drawing the Amulet: From Ancient Stone to Modern Ink

  By Simon Burdge Sketched at the British Museum, this drawing explores the symbolic power of ancient objects and the modern meanings we bring to them. During a recent visit to the British Museum, I was stopped in my tracks by a small carved figure made of amethyst. Its shape felt ambiguous—was it a figure gripping a sword, or simply someone folding their hands in stillness? I was drawn to that uncertainty and began sketching on the spot. Later, while revisiting the sketch, it reminded me of an amulet—an object designed not just to be looked at, but to be held close, trusted, and carried—a kind of spiritual tool. In the drawing, I used layers of blue and black ink, with energetic crosshatch marks and long brushstrokes to evoke a kind of atmosphere—a hard, ancient sky pressing down, or perhaps a protective energy pushing outward. The figure became less about the details and more about presence—a guardian, of sorts. Then and Now: The Amulet's Role In ancient times, amulets were often...