Skip to main content

Abstract Fun Fair at night

Abstract Fun Fair at Night – Capturing the Chaos in Colour

Abstract painting of a summer fun fair at night with bold colours, geometric shapes, and expressive brushstrokes representing lights, rides, and lively fairground energy.
Abstract Fun Fair


There's nothing quite like a summer fun fair. The lights, the music, the endless chatter of voices, and the thrill of the rides all come together in a perfect recipe for sensory overload. This painting, Abstract Fun Fair at Night, was my attempt to bring all that energy onto paper.

On warm evenings, I'd visit the fair to watch the scene unfold. The Ferris wheel spun against the dusky sky, its ferocious energy cutting through the night air. Children proudly carried teddy bears nearly as big as themselves — proof of lucky wins or determined persistence at the game stalls. Everywhere you turned, colours competed for attention: neon pinks against electric blues, glowing yellows, and flashing reds.

What struck me most wasn't just the visual spectacle but the atmosphere. Music didn't just play — it shouted, demanding that everyone take notice. Machinery whirred, clattered, and hissed, punctuated by laughter and excited screams. The fair was alive, and every ride was calling out: Look at me, ride me, win me.

In the painting, I didn't want to create a literal scene of the fair. Instead, I let colour and form tell the story. Angular shapes clash and overlap, mimicking the way sounds and lights compete. Bright slashes of yellow suggest the lights cutting through the night sky, while vibrant splashes of pink, green, and orange evoke the constant swirl of people and attractions.


At home with a painting on the wall

At home

There's also a touch of chaos to the work — because, truthfully, that's what the fun fair is. It's not orderly or quiet; it's a place where everything happens at once. Yet within that chaos lies joy, laughter, and shared experience. That's what I hoped to capture: not just how a fun fair looks, but how it feels.

For me, abstract art is about distilling moments into sensations. A viewer might not see a Ferris wheel or a game stall in clear form, but they can feel the buzz, the movement, the sheer overload of the experience. Abstract Fun Fair at Night is my colourful snapshot of a memory many of us share — those summer nights filled with noise, colour, and a little bit of magic.


Click here to see more. http://bit.ly/47jsw9g


Comments

The Most Liked Posts

Lady with the Fish.

 Inspired by an artwork at the Municipal Art Gallery in Brighton, my original drawing is a unique interpretation of William Scott's 'Girl and the Birdcage' from Feb 1948.  It captures the essence of the period with its soft pastel colours and a sense of stillness. I like the drawing I made. I played around with a few versions until I came up with the idea of a digital Lino-cut print.  This print is digitally printed onto Hahnemühle German Etching paper and a limited edition of 25 per size 300mm x 300mm and 500mm x 500mm.

Three Faces

 Three Face T-shirt print   The three-faced design is a great option to start your collection of unique artist-designed t-shirts. This design comes from a sketch created in the Louvre, Paris. I didn't note down the artist's name at the time, but any Expressionist artist will work.

Drawing the Amulet: From Ancient Stone to Modern Ink

  By Simon Burdge Sketched at the British Museum, this drawing explores the symbolic power of ancient objects and the modern meanings we bring to them. During a recent visit to the British Museum, I was stopped in my tracks by a small carved figure made of amethyst. Its shape felt ambiguous—was it a figure gripping a sword, or simply someone folding their hands in stillness? I was drawn to that uncertainty and began sketching on the spot. Later, while revisiting the sketch, it reminded me of an amulet—an object designed not just to be looked at, but to be held close, trusted, and carried—a kind of spiritual tool. In the drawing, I used layers of blue and black ink, with energetic crosshatch marks and long brushstrokes to evoke a kind of atmosphere—a hard, ancient sky pressing down, or perhaps a protective energy pushing outward. The figure became less about the details and more about presence—a guardian, of sorts. Then and Now: The Amulet's Role In ancient times, amulets were often...